About 432 Hertz

432 Hertz is not an esoteric, magical or otherwise mysterious frequency. Although of course many sellers of 432 Hertz Music would like it. There are many websites that offer information about 432 Hertz. But there are few in the world who have professional knowledge of the natural order of frequencies that govern music.

The 432 Hertz Band, on the other hand, stands on the foundation of an inviolable cosmic order not created by humans.

We have researched the world of musical frequencies for decades, discussed them in all sorts of Facebook groups, and we have compiled everything that has ever been written about 432 Hertz.

432 Hz is part of the higher-level tuning system Natural Tuning.
This tuning system is based on the basic reference frequency of 1 Hz (128 Hz).
This is the key of C and this is the origin of the 432 Hz music.

432 Hz frequency is unique.
If you build the pure tuning on the 432 Hz frequency, not only all octaves result in the cross sum 9, but also every note of the chromatic 12 scale.
There is no other scale that has this property.

432 Hz is not just a frequency, but has become synonymous with a certain kind of music. Ambient, meditative, psychedelic, sound healing, these are terms that make 432 hertz music sound. 128 Hz and 432 Hz get along well, they belong to the same frequency family.

But how these family relationships come about was not revealed until the discovery of the universal frequency model for the naturally pure tuning of music.

As a result, a definition of 432 Hz music based on natural science could emerge for the first time.

I would like to mention a few artists from the time of the discussions, which mainly took place in the
German 432 Hertz Group:

Derrick Scott van Heerden
Heinke Aussenegg
Horst Sexauer
Javier Ramon Brito
Magnus Schlichtig
Roel Hollander
Toni Mazzotti

432 Hz scale is unique!

If you build pure intervals on the 432 Hz reference frequency (that is 27 Hz),
not only all octaves result in the cross sum 9,
but also every note of the chromatic 12 a scale.

There is no other scale that has this property.

432 Hertz Fakes

As we all know, the 432 scene is a colorful one. Here you can find conspiracy theories and promises of salvation that sometimes make you shudder, sometimes make you laugh.
There are no standards, no scientific research.
Therefore, of course, the fakes flourish.

Why are the fakes spread?
One copies from the other. Everything that appears more frequently on the web seems truer to people.

One wants to make finally advertisement for the own thing, there apparently mad truths make themselves well.

Here are the fakes

432 Hertz Scales

Key Number	Name	3 Hz G Just Intonation	9 Hz D Just Intonation	15 Hz B Just Intonation	27 Hz A Just Intonation	45 Hz Gb Just Intonation	Pythagorean 432 Hz	Equal Temperament 432 Hz
88	C8 (last tone)	4096	4320	4096	4147,2	4320	4096	4109,9
87	B7	3840	3840	3840	3888	4050	3888	3879,23
86	A#7/Bb7	3686,4	3686,4	3600	3686,4	3600	3640,89	3661,5
85	A7	3456	3456	3456	3456	3456	3456	3456
84	G#7/Ab7	3276,8	3240	3200	3240	3240	3236,35	3262,03
83	G7	3072	3072	3072	3110,4	3072	3072	3078,95
82	F#7/Gb7	2880	2880	2880	2880	2880	2916	2906,14
81	F7	2764,8	2764,8	2700	2764,8	2700	2730,67	2743,03
80	E7	2560	2592	2560	2592	2592	2592	2589,07
79	D#7/Eb7	2457,6	2457,6	2400	2430	2400	2427,26	2443,76
78	D7	2304	2304	2304	2304	2304	2304	2306,6
77	C#7/Db7	2160	2160	2160	2160	2160	2167,56	2177,14
76	C7	2048	2073,6	2048	2073,6	2025	2048	2054,95
75	B6	1920	1920	1920	1944	1920	1944	1939,61
74	A#6/Bb6	1843,2	1843,2	1800	1843,2	1800	1820,44	1830,75
73	A6	1728	1728	1728	1728	1728	1728	1728
72	G#6/Ab6	1638,4	1620	1600	1620	1620	1618,17	1631,01
71	G6	1536	1536	1538	1555,2	1536	1536	1539,47
70	F#6/Gb6	1440	1440	1440	1440	1440	1458	1453,07
69	F6	1382,4	1382,4	1350	1382,4	1350	1365,33	1371,51
68	E6	1280	1296	1280	1296	1296	1296	1294,54
67	D#6/Eb6	1228,8	1228,8	1200	1215	1200	1213,63	1221,88
66	D6	1152	1152	1152	1152	1152	1152	1153,3
65	C#6/Db6	1080	1080	1080	1080	1080	1078,78	1088,57
64	C6 (high C)	1024	1036,8	1024	1036,8	1012,5	1024	1027,47
63	B5	960	960	960	972	960	972	969,81
62	A#5/Bb5	921,6	921,6	900	921,6	900	910,22	915,38
61	A5	864	864	864	864	864	864	864
60	G#5/Ab5	819,2	810	800	810	810	809,09	815,51
59	G5	768	768	768	777,6	768	768	769,74
58	F#5/Gb5	720	720	720	720	720	729	726,53
57	F5	691,2	691,2	675	691,2	675	682,67	685,76
56	E5	640	648	640	648	648	648	647,27
55	D#5/Eb5	614,4	614	600	607,5	600	606,81	610,94
54	D5	576	576	576	576	576	576	576,65
53	C#5/Db5	540	540	540	540	540	539,39	544,29
52	C5	512	518,4	512	518,4	506,25	512	513,74
51	B4	480	480	480	486	480	486	484,9
50	A#4/Bb4	460,8	460,8	450	460,8	450	455,11	457,69
49	A4 concert pitch	432	432	432	432	432	432	432
48	G#4/Ab4	409,6	405	400	405	405	404,54	407,75
47	G4	384	384	384	388,8	384	384	384,87
46	F#4/Gb4	360	360	360	360	360	364,5	363,27
45	F4	345,6	345,6	337,5	345,6	337,5	341,33	342,88
44	E4	320	324	320	324	324	324	323,63
43	D#4/Eb4	307,2	307,2	300	303,75	300	303,41	305,47
42	D4	288	288	288	288	288	288	288,33
41	C#4/Db4	270	270	270	270	270	269,7	272,14
40	C4 (middle C)	256	259,2	256	259,2	253,13	256	256,87
39	B3	240	240	240	243	240	243	242,45
38	A#3/Bb3	230,4	230,4	225	230,4	225	227,56	228,84
37	A3	216	216	216	216	216	216	216
36	G#3/Ab3	204,8	202,5	200	202,5	202,5	202,27	203,88
35	G3	192	192	192	194,4	192	192	192,43
34	F#3/Gb3	180	180	180	180	180	182,25	181,63
33	F3	172.8	172,8	168,75	172,8	168,75	170,67	171,44
32	E3	160	162	160	162	162	162	161,82
31	D#3/Eb3	153,6	153,6	150	151,88	150	151,7	152,74
30	D3	144	144	144	144	144	144	144,16
29	C#3/Db3	135	135	135	135	135	134,85	136,07
28	C3	128	129,6	128	129,6	126,56	128	128,42
27	B2	120	120	120	121,5	120	121,5	121,23
26	A#2/Bb2	115,2	115,2	112,5	115,2	112,5	113,78	114,42
25	A2	108	108	108	108	108	108	108
24	G#2/Ab2	102,4	101,25	100	101,25	101,25	101,14	101,94
23	G2	96	96	96	97,2	96	96	96,22
22	F#2/Gb2	90	90	90	90	90	91,13	90,82
21	F2	86,4	86,4	84,38	86,4	84,38	85,33	85,72
20	E2	80	81	80	81	81	81	80,91
19	D#2/Eb2	76,8	76,8	75	75,94	75	72,85	76,37
18	D2	72	72	72	72	72	72	72,08
17	C#2/Db2	67,5	67,5	67,5	67,5	67,5	67,42	68,04
16	C2 (low C)	64	64,8	64	64,8	63,28	64	64,22
15	B1	60	60	60	60,75	60	60,75	60,61
14	A#1/Bb1	57,6	57,6	56,25	57,6	56,25	56,89	57,21
13	A1	54	54	54	54	54	54	54
12	G#1/Ab1	51,2	50,63	50	50,63	50,63	50,57	50,97
11	G1	48	48	48	48,5	48	48	48,11
10	F#1/Gb1	45	45	45	45	45	45,56	45,41
9	F1	43,2	43,2	42,19	43,2	42,19	42,67	42,86
8	E1	40	40,5	40	40,5	40,5	40,5	40,45
7	D#1/Eb1	38,4	38,4	37,5	37,7	37,5	37,93	38,18
6	D1	36	36	36	36	36	36	36,04
5	C#1/Db1	33,75	33,75	33,75	33,75	33,75	33,71	34,02
4	C1	32	32,4	32	32,4	31,64	32	32,11
3	B0	30	30	30	30,38	30	30,38	30,31
2	A#0/Bb0	28,8	28,8	28,13	28,8	28,13	28,44	28,61
1	A0 (first note)	27	27	27	27	27	27	27
Key Numer	Name	3 Hz G Just Intonation	9 Hz D Just Intonation	15 Hz H Just Intonation	27 Hz A Just Intonation	45 Hz F# Just Intonation	Pythagore 432 Hz	Equal Temperament 432 Hz